The Versatile Flute Family

The flute and its progeny (piccolo, alto flute, and bass flute) may not be considered the most important instrumental family in a symphony orchestra, but it is certainly one of the most versatile.

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Thomas Wolf
Handling Bad Reviews

Do you know which famous composer’s second symphony was called “a crass monster” and whose fifth symphony was called “riotous beyond endurance”? Even the greatest musicians get bad reviews. If you want to know what to do about them, read on.

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Thomas Wolf
Bravo! Encore!

A special message for musicians: Do you know how to make certain your audience will demand at least one encore, and maybe several? I share my secret here. Audience members take note.

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Thomas Wolf
What Can We Learn from Banff?

The Banff Centre for Arts and Creativity in the Canadian Rockies operates according to a unique business model. Its International String Quartet Competition and Festival is a powerful example of one of its signature programs. What can we who work in the arts learn from Banff? Read this blog to find out.   

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Musical Immigrants: How Luboshutz and Nemenoff Found Success in America - Part II by Thomas Wolf

In a blog post last month, I offered an introduction to the power of the United States in drawing musicians from Eastern and Western Europe during the first half of the 20th century.  To learn the specifics of how European musicians actually made successful careers in America, read this.

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Musical Immigrants: How Two Pianists Found Success in America - Part I by Thomas Wolf

Is there any story that typifies the mass migration of European musicians to America during the early decades of the twentieth century?  Every story is a bit different, of course, but here is one that typifies the high proportion of such musicians who found success in their new country.

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